Upcoming Performance: ENERGY CANNOT BE CREATED IV

The latest instalment in my ENERGY CANNOT BE CREATED collection will be premiered by LSTwo Ensemble on Saturday. ENERGY CANNOT BE CREATED IV: …generously taken explores the notion that all acts of composing involve (re)arranging what already exists. It generously takes, ruthlessly breaks apart, and forcefully reshapes. This piece is violent, cruel, and egotistic as it snaps and cracks the broken fragments of my musical self.

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More information about the upcoming concert is available here.

Recent Publication: Women & Music Journal

I’m pleased to announce that my latest article about one of my compositions ‘We Lived in the Gaps between the Stories.’  (2017) has been published in the latest ‘Women and Music’ journal (vol 22, 2018).

More information about this journal’s latest volume can be found here.

Women and Music Journal

Women and Music
A Journal of Gender and Culture
Edited by Emily Wilbourne

World Premiere: ENERGY CANNOT BE CREATED III

A piece I wrote earlier this year, ENERGY CANNOT BE CREATED III: transferred states, was premiered by LSTwo ensemble in Leeds last Friday (04.05.18).  The concert also featured world premieres from other composers.

A video recording of the concert can be found here.

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Snapshot from the premiere of ENERGY CANNOT BE CREATED III (composed earlier this year), performed by LSTwo.

Upcoming Event: ‘Ian Pace at Fifty – Tributes and Early Modernism’

One of my recent pieces for piano, Progress always comes late (2017), will be premiered by pianist Ian Pace in April at City University of London. The event is free to attend, but it is recommended that you reserve a place via the online booking form.

To celebrate Ian Pace’s 50th birthday, a group of international composers have all written short piano pieces in tribute to him. These were collected by US composer Evan Johnson, who wrote that this collection was ‘in recognition of a career built around the persistent championing of young or unduly ignored composers, and of difficult or otherwise unreasonable music: the sort often thankless effort that can indelibly shape a nascent compositional career, build decades-long collaborations, and begin to change the face of a repertoire’. Eighteen world premieres will form one half of the concert, and in the other half Ian will perform four other lesser-known early twentieth-century piano works: Arthur Lourié’s sensuous and ultra-chromatic Deux poèmes op. 8 (1912), Stefan Wolpe’s brutalist Sonata for piano, op. 1 (1925), Frederic Mompou’s aloof Charmes (1920-21), and Roger Sessions’ lyrical and brilliant Piano Sonata No. 1 (1930).

Quotation source: City of London Music Events (city.ac.uk), ‘Ian Pace at Fifty – Tributes and Early Modernism’.  A concert programme can be found here.

The concert will also include performances of music by Arthur Lourié, Stefan Wolpe, Frederic Mompou, Roger Sessions, Christopher Fox, James Dillon, Roddy Hawkins, Lauren Redhead, Mic Spencer, Michael Finnissy, Sadie Harrison, Ben Smith, Patrícia Sucena de Almeida, Walter Zimmermann, Ian Pace, Jesse Ronneau, Eleri Angharad Pound, Marc Yeats, Nigel McBride, Alistair Zaldua, Wieland Hoban, and Evan Johnson.

Cellomondo CD #2: ‘Rebirth in Sound’

My piece Parallax Error (2014) for any four-stringed bowed instrument features as part of the second Cellomondo CD: Rebirth in Sound.

The CD also features music by Aurélio Edler-Copes, Ryszard Lubieniecki, Jason Post, Dugal McKinnon, Patiparn Jaikampan and Artyom Kim.

All pieces on the CD are performed by cellist Katharina Gross.

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The CD is available here and more information about it can be found here.  More information about Cellomondo can be found here.

New Piece for 28 Pianos Performed in Yorkshire

My latest composition, Resonance/Light/Decay for 28 pianos, composed in collaboration with Dr Mic Spencer (University of Leeds) was premiered on Tuesday 12 December, 2017 in the School of Music, University of Leeds. The composition and its performance was done to celebrate the School of Music becoming a Steinway School. More about this can be read here and here.

The performance of Resonance/Light/Decay was live-streamed online and also featured on BBC Radio Leeds.

In case you missed it, you can view a video of the performance below:

Upcoming Performance in Łódź

One of my compositions, ‘We Lived in the Gaps between the Stories.’ (2016) for amplified accordion will be performed in the upcoming sixth edition of the ‘Working Scene’ concert series (Scena Robocza #6).

The event will take place on Wednesday, September 27 in Łódź and will feature performances from accordionist Ryszard Lubieniecki and artist Sonia Skowronek with electronics and sound realisation by Piotr Bednarczyk.

This event will also feature the works of Mateusz ŚmigasiewiczJosue W. AmadorDominik Karski, and Piotr Bednarczyk.

More information about this event can be found here.