[translation]: “[…] a presentation of the music of young generation composers gathered around the Łódź scene of Musica Privata. “Seeds” is the title of Ryszard Lubieniecki’s debut album. We will listen to works by Mateusz Śmigasiewicz and Alannah Marie today.”
I am pleased to announce that Ian Pace will be performing my Progress always comes late (2017) for solo piano. This piece was composed as a birthday present for Ian Pace on his fiftieth birthday. More information about this can be found here and here.
This particular upcoming concert will feature works by Charles Ives, Walter Zimmermann, Marc Yeats, Lauren Redhead, Eleri Angharad Pound, Alistair Zaldua, and Michael Finnissy. More information about the concert and how to book can be found here.
The latest instalment in my ENERGY CANNOT BE CREATED collection will be premiered by LSTwo Ensemble on Saturday. ENERGY CANNOT BE CREATED IV: …generously taken explores the notion that all acts of composing involve (re)arranging what already exists. It generously takes, ruthlessly breaks apart, and forcefully reshapes. This piece is violent, cruel, and egotistic as it snaps and cracks the broken fragments of my musical self.Continue reading
I’ve recently started writing music for film. I composed the soundtrack to an upcoming short film LITTLEY CAR directed by Chris Boylan. You can watch the trailer here (below)
The short film premieres on Friday 30th November in Yorkshire. More information about the event, including the making of the film, can be found here.
A piece I wrote earlier this year, ENERGY CANNOT BE CREATED III: transferred states, was premiered by LSTwo ensemble in Leeds last Friday (04.05.18). The concert also featured world premieres from other composers.
A video recording of the concert can be found here.
One of my recent pieces for piano, Progress always comes late (2017), will be premiered by pianist Ian Pace in April at City University of London. The event is free to attend, but it is recommended that you reserve a place via the online booking form.
To celebrate Ian Pace’s 50th birthday, a group of international composers have all written short piano pieces in tribute to him. These were collected by US composer Evan Johnson, who wrote that this collection was ‘in recognition of a career built around the persistent championing of young or unduly ignored composers, and of difficult or otherwise unreasonable music: the sort often thankless effort that can indelibly shape a nascent compositional career, build decades-long collaborations, and begin to change the face of a repertoire’. Eighteen world premieres will form one half of the concert, and in the other half Ian will perform four other lesser-known early twentieth-century piano works: Arthur Lourié’s sensuous and ultra-chromatic Deux poèmes op. 8 (1912), Stefan Wolpe’s brutalist Sonata for piano, op. 1 (1925), Frederic Mompou’s aloof Charmes (1920-21), and Roger Sessions’ lyrical and brilliant Piano Sonata No. 1 (1930).
Quotation source: City of London Music Events (city.ac.uk), ‘Ian Pace at Fifty – Tributes and Early Modernism’. A concert programme can be found here.
The concert will also include performances of music by Arthur Lourié, Stefan Wolpe, Frederic Mompou, Roger Sessions, Christopher Fox, James Dillon, Roddy Hawkins, Lauren Redhead, Mic Spencer, Michael Finnissy, Sadie Harrison, Ben Smith, Patrícia Sucena de Almeida, Walter Zimmermann, Ian Pace, Jesse Ronneau, Eleri Angharad Pound, Marc Yeats, Nigel McBride, Alistair Zaldua, Wieland Hoban, and Evan Johnson.
My piece Parallax Error (2014) for any four-stringed bowed instrument features as part of the second Cellomondo CD: Rebirth in Sound.
The CD also features music by Aurélio Edler-Copes, Ryszard Lubieniecki, Jason Post, Dugal McKinnon, Patiparn Jaikampan and Artyom Kim.
All pieces on the CD are performed by cellist Katharina Gross.