*Interstice* now available on iTunes

Interstice is out and available to download via iTunes! More information can be found here. Interstice is an artwork and iPhone app that enables users to record, and listen to, an audible representation of their heartbeat. It also allows users to select a musical fragment to accompany their heartbeat. As such, users from all over the world are able to collaborate in the formation of a composition comprising an intricate cacophony of audible heartbeats and musical fragments. Users can listen to the resultant conglomeration of audible heartbeats and musical fragments by navigating a three-dimensional representation of Earth. Each user can add up … Continue reading *Interstice* now available on iTunes

Gaudeamus Muziekweek Academy

I recently attended the Gaudeamus Muziekweek Academy in Utrecht. My composition Parallax Error (2014) for any 4-string bowed instrument was workshopped by cellist Katharina Gross and double bassist Dario Calderone. I also had the opportunity to meet other selected composers from across the globe. The experience was enlightening and it introduced me to a whole world of music happening right now. In the first cello workshop, we were introduced to a variety of contemporary music and Katharina Gross’ cellomundo project. Our own works were also performed and discussed. The academy also offered workshops about composing for harp and composing with live electronics. We were introduced to a range of harp music … Continue reading Gaudeamus Muziekweek Academy

Performance of *The Interlocutor*: ensemble Discord

The Interlocutor is my most recent composition and it was performed by Discord earlier this week. It is for French horn, electric guitar, electric bass guitar, piano (doubling keyboard), and electric five-string violin. As a (very) basic description of the composition’s structure, it is based on the dynamics of conversing. Although a seemingly simple compositional procedure, I intend the form to be more complexly dynamic, and I think that Discord brought this out. Composing for Discord was very useful, not only did it force me to consider writing for these instruments in the context of this particular ensemble, but working with the performers introduced me … Continue reading Performance of *The Interlocutor*: ensemble Discord

Compositional Form: A Multidimensional Interstice?

The following is an area of my research which I presented on at a postgraduate conference in December, and something I hope to talk more about in the future as it develops. In this presentation, I discuss my current composition Interstice, the ‘form’ of which relies on the participation of an interactive audience via the internet and an iPhone app. Due to a specific type of interactivity, Interstice’s timeline is complex, and its participatory element results in the roles of ‘performer’ and ‘audience’ being indistinguishable. Interstice treats the audience as additional compositional ‘objects’ amongst which perceived ‘meaning’ and ‘function’ interact within a ‘frame’ that is multidimensional and … Continue reading Compositional Form: A Multidimensional Interstice?