Reviewing the New Music Biennial Festival #nmb17

Any readers following my Instagram feed will be aware that I was reviewing this year’s New Music Biennial Festival in Hull. For those of you who could not attend the festival this year, my article features in Sounds Like Now: Contemporary Music News  and can be read here.

Below is a preview of the article, also available here.

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Eliza Carthy at the PRSF New Music Biennial 2017, photo Tom Arran

The New Music Biennial festival, funded by the PRS for Music Foundation, claims to push ‘the boundaries of new music’. It provides an opportunity for new musical works to be showcased across the United Kingdom and on BBC Radio 3. The term ‘new’ in this instance is to be taken literally: these works were very recently written (some were world premières) and drew on music history, existing practices and the musical techniques of a variety of cultures. The festival, initially presented in Hull, the 2017 City of Culture, was repeated at London’s Southbank Centre and follows the previous models of this festival to present a variety of eclectic genres of music being written today.

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L.I.M.E.: ‘Barricades and Partitions’

CROSSWOR[K] (2013)  for free instrumentation will be performed by Leeds Improvised Music and Experimentation organisation (L.I.M.E.) in their  upcoming concert Barricades and Partitions, 1st May, 2016 , Wharf Chambers, Leeds, England.

The event also features LUUMS New Music Ensemble and Prohibited Strangers. More information about the event can be found here.

More information about my composition CROSSWOR[K] (2013) can be found here.