New Music Biennial, Hull

The New Music Biennial festival, funded by the PRS for Music foundation, claims to push ‘the boundaries of new music’. It provides an opportunity for ‘new’ musical works to be showcased across the UK and on BBC Radio 3. The term ‘new’ in this instance is to be taken literally: these works were very recently written (some were world premieres) and drew on music history, existing practices, and the musical techniques of a variety of cultures. The festival, initially presented in Hull, the 2017 City of Culture, was repeated at London’s Southbank Centre and follows the previous models of this festival to present a variety of eclectic genres of music being written today. Continue reading “New Music Biennial, Hull”

Review: Dr Timothy O’Dwyer, ‘Folding Machines – Approaches to Improvising and Composing Inspired by the Philosophy of Gilles Deleuze’

The following is a review of a talk given by Dr Timothy O’Dwyer on 27th February at the University of Leeds, School of Music. I must mention that the following account is by no means exhaustive of Deleuzian thought, in fact it only touches on one aspect of it. However, I am writing about this talk because it seems to offer an accessible starting point to comprehending one of Deleuze’s concepts. It also demonstrates how applying aesthetics and philosophy to composition can offer a different perspective on a familiar act and therefore a potentially different outcome. This is something I … Continue reading Review: Dr Timothy O’Dwyer, ‘Folding Machines – Approaches to Improvising and Composing Inspired by the Philosophy of Gilles Deleuze’