Publications

Books

2016

Alannah Marie Halay (ed.), (Per)Forming Art: Performance as Research in Contemporary Artworks (London: Cambridge Scholars Publishing, 2016)

 

Chapters and Journal Articles 

Alannah Marie Halay, ‘(Per)Forming Art: Performance as a Compositional Technique’ in (Per)Forming Art: Performance as Research in Contemporary Artworks, ed. by Alannah Marie Halay (London: Cambridge Scholars Publishing, 2016), pp. 37-51

 

Conference Presentations

2016

‘What does it mean to “compose”?’(paper), PGR Symposium, University of Leeds 16th May, 2016

2015

‘(Per)Forming Art: Performance as a Compositional Technique’ (paper), PGR Symposium, University of Leeds 7th December, 2015

‘Using the Internet to Re-Define Compositional ‘Form’’ (poster), Study Day on Computer Simulation of Musical Creativity, University of Huddersfield 27th June, 2015

‘Considering Expression as Compositional Material’: ‘Improvisation is the middle-ground between Composing and Performing’ or ‘Using Improvisation in Live Performance as a Compositional Technique’ (paper), PGR Symposium, University of Leeds 18th May, 2015

2014

‘The Composer’s Paradox: An Exploration of ‘Freedom’ and ‘Restriction’ within the Compositional Process’ (paper), PGR Symposium, University of Leeds 15th December, 2014

‘A ‘Violent’ Encounter?: Notions of Hidden ‘Violence’ in Compositional Thoughts, Acts, and Encounters with the Work of Art’ (paper), PGR Symposium, University of Leeds 19th May, 2014

2013

‘Compositional ‘Form’: A ‘Multidimensional Interstice’ (paper), PGR Symposium, University of Leeds 18th December, 2013

‘Considering Compositional ‘Spaces’ as ‘Heterotopias’’ (paper), Music and/as Process Symposium, University of Huddersfield 29th June, 2013

Published Reviews

2015

Alannah Marie Halay, ‘(Per)Forming Art: Performance as Research in Contemporary Artworks’, RMA Newsletter, XIX.2 (November, 2015)

2014

Alannah Halay, ‘RMA 50th Annual Conference’,  RMA Newsletter, XVIII.2 (November 2014)