Demon Eye (Quickfoot Media) is being screened in cinemas across the USA! I play Sally / The Burning Girl (that thing featured on the poster). Cinemas include Kent Theater in New York; Lakeville Theater in Minnesota; Studio Movie Grill Pearland … Continue reading Demon Eye (feature film) screened in cinemas across USA
Brecht in Manchester’s Royal Exchange Theatre I went to see Brecht’s MOTHER COURAGE AND HER CHILDREN in the Royal Exchange theatre in Manchester. It’s a beautiful building: as soon as you walk in, you’re greeted by high impressive ceilings and … Continue reading Brecht: MOTHER COURAGE AND HER CHILDREN
I am pleased to announce that Ian Pace will be performing my Progress always comes late (2017) for solo piano. This piece was composed as a birthday present for Ian Pace on his fiftieth birthday. More information about this can … Continue reading Ian Pace in Huddersfield
I’m excited to say that a recent feature film I’ve been in, Demon Eye (Quickfoot Media & Devilworks), will premiere in at Fantasporto Film Festival (Portugal) this month! It has been selected as part of the Official Fantasy Selection. Vertical Entertainment … Continue reading Demon Eye (feature film) at Fantasporto Film Festival in Portugal
I’m pleased to announce that another written publication is due to be released in July, 2019 in Exploring Xenakis: Performance, Practice, Philosophy, ed. by Alfia Nakipbekova (Wilmington, DE: Vernon Press, 2019). The book includes chapters by other authors as follows: Alfia Nakipbekova (University … Continue reading New Publication!
The latest instalment in my ENERGY CANNOT BE CREATED collection will be premiered by LSTwo Ensemble on Saturday. ENERGY CANNOT BE CREATED IV: …generously taken explores the notion that all acts of composing involve (re)arranging what already exists. It generously takes, … Continue reading Upcoming Performance: ENERGY CANNOT BE CREATED IV
I’m pleased to announce that my latest article about one of my compositions ‘We Lived in the Gaps between the Stories.’ (2017) has been published in the latest ‘Women and Music’ journal (vol 22, 2018). More information about this journal’s … Continue reading Recent Publication: Women & Music Journal
I’ve recently started writing music for film. I composed the soundtrack to an upcoming short film LITTLEY CAR directed by Chris Boylan. You can watch the trailer here (below) The short film premieres on Friday 30th November in Yorkshire. More … Continue reading Latest Soundtrack: LITTLEY CAR (short film)
A piece I wrote earlier this year, ENERGY CANNOT BE CREATED III: transferred states, was premiered by LSTwo ensemble in Leeds last Friday (04.05.18). The concert also featured world premieres from other composers. A video recording of the concert can be found here. Continue reading World Premiere: ENERGY CANNOT BE CREATED III
One of my recent pieces for piano, Progress always comes late (2017), will be premiered by pianist Ian Pace in April at City University of London. The event is free to attend, but it is recommended that you reserve a place via the online booking form. To celebrate Ian Pace’s 50th birthday, a group of international composers have all written short piano pieces in tribute to him. These were collected by US composer Evan Johnson, who wrote that this collection was ‘in recognition of a career built around the persistent championing of young or unduly ignored composers, and of difficult or otherwise unreasonable … Continue reading Upcoming Event: ‘Ian Pace at Fifty – Tributes and Early Modernism’
My piece Parallax Error (2014) for any four-stringed bowed instrument features as part of the second Cellomondo CD: Rebirth in Sound. The CD also features music by Aurélio Edler-Copes, Ryszard Lubieniecki, Jason Post, Dugal McKinnon, Patiparn Jaikampan and Artyom Kim. All pieces on the CD are performed by cellist Katharina Gross. The CD is available here and more information about it can be found here. More information about Cellomondo can be found here. Continue reading Cellomondo CD #2: ‘Rebirth in Sound’
My latest composition, Resonance/Light/Decay for 28 pianos, composed in collaboration with Dr Mic Spencer (University of Leeds) was premiered on Tuesday 12 December, 2017 in the School of Music, University of Leeds. The composition and its performance was done to celebrate the … Continue reading New Piece for 28 Pianos Performed in Yorkshire
One of my compositions, ‘We Lived in the Gaps between the Stories.’ (2016) for amplified accordion will be performed in the upcoming sixth edition of the ‘Working Scene’ concert series (Scena Robocza #6). The event will take place on Wednesday, September 27 in Łódź and will feature performances from accordionist Ryszard Lubieniecki and artist Sonia Skowronek with electronics and sound realisation by Piotr Bednarczyk. This event will also feature the works of Mateusz Śmigasiewicz, Josue W. Amador, Dominik Karski, and Piotr Bednarczyk. More information about this event can be found here. Continue reading Upcoming Performance in Łódź
Tomorrow I will be giving a talk at the ‘Exploring Xenakis: Performance, Practice, Philosophy’ Symposium with colleague and critical theorist Michael D. Atkinson. Our talk discusses Xenakis, the Avant Garde, May ’68 and the legendary quote ‘Xenakis, not Gounod’ which was scrawled in graffiti during the protests in France. Below is an abstract of our talk: May ’68 saw a time of political tension in France: the Situationist International signified a growing desire to move away from capitalism and the world of boredom and alienation it entails, and, likewise, young radicals wanted to free music from the shackles of reification that contradicted … Continue reading ‘Exploring Xenakis: Performance, Practice, Philosophy’
Any readers following my Instagram feed will be aware that I was reviewing this year’s New Music Biennial Festival in Hull. For those of you who could not attend the festival this year, my article features in Sounds Like Now: Contemporary Music News and can be read here. Below is a preview of the article, also available here. The New Music Biennial festival, funded by the PRS for Music Foundation, claims to push ‘the boundaries of new music’. It provides an opportunity for new musical works to be showcased across the United Kingdom and on BBC Radio 3. The term … Continue reading Reviewing the New Music Biennial Festival #nmb17
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