I presented the following at the ‘Music and/as Process’ Symposium in Huddersfield last summer. Although my research has developed since then, this presentation is still relevant to my current perspective on music’s relationship with society. More than anything else, though, I am fascinated with Michel Foucault’s article ‘Of Other Spaces’. His concept of ‘Heterotopia’ opens up a perspective on society that resonates with my own ideas about composition. Art is invariably a social event and we must acknowledge this in our quest to explore its mechanics. An awareness of Foucault’s ‘Heterotopology’ can potentially guide the compositional process and expand the existing perspective of semiotics that music and … Continue reading Considering Compositional ‘Spaces’ as ‘Heterotopias’: ‘Music and/as Process’ Symposium
The following is an area of my research which I presented on at a postgraduate conference in December, and something I hope to talk more about in the future as it develops. In this presentation, I discuss my current composition Interstice, the ‘form’ of which relies on the participation of an interactive audience via the internet and an iPhone app. Due to a specific type of interactivity, Interstice’s timeline is complex, and its participatory element results in the roles of ‘performer’ and ‘audience’ being indistinguishable. Interstice treats the audience as additional compositional ‘objects’ amongst which perceived ‘meaning’ and ‘function’ interact within a ‘frame’ that is multidimensional and … Continue reading Compositional Form: A Multidimensional Interstice?