Publications

2019

CD: We Lived in the Gaps between the Stories (2016) on Seeds, performed by Ryszard Lubieniecki (on sale Aug. 2019)

Chapter: ‘“Xenakis, not Gounod”: Xenakis, the Avant Garde, and May ’68’, in Exploring Xenakis: Performance, Practice, Philosophy (Wilmington, DE: Vernon Press, 2019)

2018

Soundtrack for Littley Car (short film) released November 2018 by Boylan Media

CD: Parallax Error (2014) on Cellomondo #2: Rebirth in Sound, performed by Katarina Gross (on sale Feb. 2018)

Article: ‘‘We Lived in the Gaps Between the Stories’ (2016) Amplified Accordion’ in Women and Music Journal, 21 (2018)

2017

Paper: ‘“Xenakis, not Gounod”: Xenakis, the Avant Garde, and May ’68’ (paper), Exploring Xenakis Symposium, University of Leeds 12th September 2017

2016

Book (edited): (Per)Forming Art: Performance as Research in Contemporary Artworks (London: Cambridge Scholars Publishing, 2016)

Chapter: ‘(Per)Forming Art: Performance as a Compositional Technique’ in (Per)Forming Art: Performance as Research in Contemporary Artworks (London: Cambridge Scholars Publishing, 2016), pp. 37-51

Paper: ‘“avant garde” and “Avant Garde”: A Practice-Led Investigation’ (paper), School of Music Research Seminar Series, University of Leeds 8th December 2016

Paper: ‘What does it mean to “compose”?’ (paper), PGR Symposium, University of Leeds 16th May, 2016

2015

Paper: ‘(Per)Forming Art: Performance as a Compositional Technique’ (paper), PGR Symposium, University of Leeds 7th December 2015

Review Article: ‘(Per)Forming Art: Performance as Research in Contemporary Artworks’, RMA Newsletter, XIX.2 (November 2015)

Paper: ‘Using the Internet to Re-Define Compositional ‘Form’’ (poster), Study Day on Computer Simulation of Musical Creativity, University of Huddersfield 27th June 2015

Paper: ‘Considering Expression as Compositional Material’: ‘Improvisation is the middle-ground between Composing and Performing’ or ‘Using Improvisation in Live Performance as a Compositional Technique’ (paper), PGR Symposium, University of Leeds 18th May, 2015

2014

Paper: ‘The Composer’s Paradox: An Exploration of ‘Freedom’ and ‘Restriction’ within the Compositional Process’ (paper), PGR Symposium, University of Leeds 15th December 2014

Review Article: ‘RMA 50th Annual Conference’, RMA Newsletter, XVIII.2 (November 2014)

Paper: ‘A ‘Violent’ Encounter?: Notions of Hidden ‘Violence’ in Compositional Thoughts, Acts, and Encounters with the Work of Art’ (paper), PGR Symposium, University of Leeds 19th May 2014

2013

Paper: ‘Compositional ‘Form’: A ‘Multidimensional Interstice’ (paper), PGR Symposium, University of Leeds 18th December 2013

Paper: ‘Considering Compositional ‘Spaces’ as ‘Heterotopias’’ (paper), Music and/as Process Symposium, University of Huddersfield 29th June 2013